A tool for Canon camera owners, Picture Style Editor is a free utility for working with RAW images produced by digital SLRs. Images can be previewed and edited within the program.
Once installation has completed, you can drag-and-drop raw images into the interface of Picture Style Editor and immediately start editing them with several tools. At the moment, CRW, CR2, TIF and TIFF images are supported.
Click 'Register User Defined style' under 'Shooting menu' Once the new page 'Register Picture Style File' opens, select one of User Def. 1, 2 or 3 at the top of the new page; Click the open file icon; Select the CineStyle.pf2 file you've just downloaded; Click on OK; Congratulations, the Technicolor CineStyle Profile is now loaded in your camera!
- Selecting a Picture Style just as you would choose a film type. Six preset Picture Styles are available with EOS DIGITAL. Create the image you desire from the scenes you see. Picture Style allows you to create exactly the image you want.
- “This version is a replacement for our (latest) standard Marvels Cine Style v3.3. It uses a slightly altered curve, made to preserve luminance linearity in the 65-75% (skin tone) range. It further uses the internal Canon Neutral style instead of the Standard style, but this can be altered from the selected style settings menu in the camera.”.
- Picture Style Editor, free download. Picture style creator software for Windows: Edit and apply different styles to Canon RAW digital photos from digital SLR CR2 and CRW images. Review of Picture Style Editor. Includes tests and PC download for Windows 32 and 64-bit systems.
- Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
Free Pf2 Canon Styles Model
Some of the image enhancements you can perform with Picture Style Editor are sharpness, color saturation, color tone, brightness and contrast, etc. Other settings include white balance and color temperature. Adjustments made will be visible in the preview window.
Picture Style Editor is pretty basic overall and cannot complete against professional packages like Adobe Lightroom, but it does provide a starting point for Canon EOS camera owners. Without it, a bare Windows installation would not be able to even view RAW image files.
Features and highlights
![Pf2 Pf2](/uploads/1/2/7/7/127742269/556069383.jpg)
- Select the photo to be adjusted
- Select the base Picture Style
- Adjust the color details
- Adjust the overall balance
- Save the adjustment results
Picture Style Editor on 32-bit and 64-bit PCs
This download is licensed as freeware for the Windows (32-bit and 64-bit) operating system on a laptop or desktop PC from camera software without restrictions. Picture Style Editor 1.25.0 is available to all software users as a free download for Windows 10 PCs but also without a hitch on Windows 7 and Windows 8.
Compatibility with this picture style creator software may vary, but will generally run fine under Microsoft Windows 10, Windows 8, Windows 8.1, Windows 7, Windows Vista and Windows XP on either a 32-bit or 64-bit setup. A separate x64 version of Picture Style Editor may be available from Canon.
Filed under:- Picture Style Editor Download
- Freeware Camera Software
- Major release: Picture Style Editor 1.25
- Picture Style Creation Software
Included Profiles
- CineLook.pf3 - In camera cinematic look profile
- CineTech.pf3 - Low contrast version of CineLook
- VisionColor.pf3 - Color optimization profile
- VisionTech.pf3 - Low contrast version of VisionColor
One-time-payment. License never expires.
Checkout, updates and support via Color.io. VAT may apply for EU customers.
Checkout, updates and support via Color.io. VAT may apply for EU customers.
The VisionColor™ Picture Styles bundle for Canon EOS DSLRs. Including the original VisionColor & VisionTech color optimization profiles and CineLook & CineTech in-camera cinematic grading profiles.
Compatible with all Canon EOS digital SLR cameras that support custom picture styles in pf3 format. See installation instructions below.
Battle tested and loved by tens of thousands of filmmakers and photographers.
Compatible with all Canon EOS digital SLR cameras that support custom picture styles in pf3 format. See installation instructions below.
Battle tested and loved by tens of thousands of filmmakers and photographers.
Free Pf2 Canon Styles Tutorial
VISION vs. CINE/What’s the difference?
The VISION Profiles (VisionColor and VisionTech) are color optimization profiles that were designed to get the highest quality color out of the camera for subsequent editing and color correction for video and JPEG capture. They are the next best thing when shooting RAW is not an option. The technical specifications below explain our approach in more detail.
The CINE Profiles (CineLook and CineTech) take this approach even further by offering a fully automatic, contemporary cinematic color grade right out of the box. Cinelook delivers images and videos unmatched even by advanced colorists and has been optimized to fully leverage Canon proprietary in-camera image processing.
VisionColor /VisionTech
The only difference is in the profiles’ gamma response curves. VisionTech has a slightly lifted black point for better low level color accuracy and a more gentle uper gamma rolloff into blow out. The minute color difference you may observe between the profiles is largely due to the default in-camera color tone setting as both profiles use the same custom color matrix.
- VisionColor: Standard Rec.709 video profile. Clips at 0% black and 100% white.
- VisionTech: Standard Rec.709 video profile. Clips at 4% black and 100% white.
CineLook /CineTech
When we made CineTech we wanted to create a profile that had the exact same color response as the CineLook profile while keeping the contrast as flat as possible. CineTech has contemporary color-offsets that make color correction incredibly simple while giving the user complete control over how much contrast should be applied to each shot.
Tip: A quick side-by-side comparison of both profiles will immediately give you an idea of the visual differences.
Tip: Experimentation is key in finding your prefered picture style! There are no rights and wrongs about using either as long as you have a basic understanding of how the profiles perform in different situations.
Technical Specifications
8-bit coding space limitations
The inherent problem with 8-bit encoded image data is its lack to store enough color values to accurately represent subtle tonal gradations. 8-bit means 255 distinct values for each of the R, G and B channels.
By transforming linear RAW sensor data to a logarithmic curve and thereby further compressing the range to even less values, all tonal gradation in the 8-bit coding space is sacrificed.
Chroma banding and severe image degradation are often the result when color grading logarithmically encoded 8-bit comressed footage back to a regular Rec709 or sRGB viewing gamma.
Chroma banding and severe image degradation are often the result when color grading logarithmically encoded 8-bit comressed footage back to a regular Rec709 or sRGB viewing gamma.
Comparison chart:14-bit linear RAW sensor data to
- 12-bit losslessly compressed ProRes (Arri LOG-C encoded) - 4096 values
- 8-bit h.264 compressed video (Cinestyle) - 150 values
- 8-bit h.264 compressed video (VisionColor) - 255 values
It is therefore recommended to shoot with camera profiles which utilize the entire 8-bit tonal range while preserving as much usable dynamic range and color information the image sensors have to offer. Subtle adjustments in post production are key to retaining image fidelity.
Luminance/data-compression correlation
While the VisionColor profile utilizes the entire tonal range available in the 8-bit coding space, clipping at 0 and 100% IRE (RGB 0-255) VisionTech performs a slight boost of the blackpoint to 3% IRE. (RGB 9-255).
This enables the camera to encode hue and saturation information where in other profiles no such data could be encoded due to a luminance value of 0. (Black can't hold color values)
This enables the camera to encode hue and saturation information where in other profiles no such data could be encoded due to a luminance value of 0. (Black can't hold color values)
In still image and video compression schemes, chrominance data is processed separately from luminance to exploit the limited resolution of color over relative brightness perception in the human visual system. However as our ability to accurately distinguish between subtle luma differences falls roughly into the range around 'middle grey' (18% reflectance) and gets worse as brightness drops, compression algorithms assign less data to the lower parts of the gamma range.
An estimated luminance/data-compression correlation of the internal compression codec has been taken into account for the lift adjustment of the VisionTech curve to prevent any negative side effects like chroma banding and other poterization artifacts that are commonly introduced in the midtones and highlights by profiles from other developers due to poor data distribution across the luminance range.
An estimated luminance/data-compression correlation of the internal compression codec has been taken into account for the lift adjustment of the VisionTech curve to prevent any negative side effects like chroma banding and other poterization artifacts that are commonly introduced in the midtones and highlights by profiles from other developers due to poor data distribution across the luminance range.
Dual Illuminant Profiling
All of our camera profiles are dual illuminant camera profiles. This means that your camera will automatically interpolate between two distinct transform tables, one for daylight temperature, one for fluorecent, based on your white balance setting. The method used by Canon internally is inverse correlated color temperature.
All of our camera profiles are dual illuminant camera profiles. This means that your camera will automatically interpolate between two distinct transform tables, one for daylight temperature, one for fluorecent, based on your white balance setting. The method used by Canon internally is inverse correlated color temperature.
Installation
Follow these simple steps to successfully install your new picture styles on your Canon EOS camera:
- Extract the .pf2/.pf3 Picture Style files from your downloaded archive. If your operating system doesn’t extract .ZIP archives natively we suggest using WinRar (Windows) or UnArchiver (MAC).
- Make sure that you have Canon EOS Utility 2.6 or higher installed on your computer
- Switch your camera ON and turn the wheel to “M” for manual.
- Connect your DSLR using the USB cable that shipped with your camera.
- Start the EOS Utility Software and choose “Camera settings/remote shooting“.
- Click on “Register User defined style“
- Select one of the three slots, click the folder icon and navigate to your Picture Style .pf2 file and select it.
- Hit OK. Close the application, unplug your camera.
You can now select the installed picture style in your camera.
Installation for Video Mode (Optional)
In most cases the basic installation will automatically make the profiles available in your camera’s video mode but in case they’re not showing up follow the steps below:
- Do the basic installation as described above.
- Switch the camera to movie mode.
- Press the menu button and navigate to the picture style menu.
- Select the slot for the first/second or third custom picture style and press the DISP. button (or any other button that lets you adjust the settings).
- This takes you to a sub-menu where you can adjust the in-camera parameters for sharpness, contrast, saturation and color tone.
- At the very top of the page the base picture style can be selected from a dropdown list. In your case the first Custom Style should be set to the custom profile you wish to install.